On their most basic (and probably
oversimplified) level, you can consider clubnights as made up of two types of
audience members: those going to see an artist perform and those looking to get
fucked up. Obviously there is plenty of overlapping, and its not as if either
has the right to be there any less. But in Liverpool, for a club night to reach
stratospheric, £20+ ticket value levels in a city so densely populated by
students, they naturally lean further towards the latter, meaning that
innovation is sacrificed for consolidation when it comes to lineups. I mean
it’s happening right now. Take Abandon Silence as an example: after three unrivalled years as Liverpool’s best small clubnight in the intimate Shipping
Forecast basement, they made the permanent move to the larger and polarising East Village Arts Club, meaning that the pressure to fill these larger spaces
had to be offset by more wide reaching, repeated (and therefore risk-free)
bookings. Others, like the Cardiff import Shangri-La have attempted to dive
straight in at the top, with mixed turnouts for the heavyweights like Duke
Dumont and Jonas Rathsman. It might be a shame, but at the same time it’s all
good booking a DJ with three unlicensed edits on Soundcloud if you have got the
patience to watch your core audience develop slowly. And of course, it’s a big
ask to expect promoters to barely break even for a year when you understand the
work that goes into putting nights like this on. There is always an expiry date,
though, when following this kind of lifespan. And you can argue that when
events put on by the likes of Chibuku and Abandon Silence continue to sell out,
then everything is all good. And sure, there is room and necessity for these
bigger events. But in terms of identity, these aren’t anything close to the
nights they were when they first started.
Liverpool’s live Electronic Music scene
continues to progress like Russian Dolls, as established nights like Abandon
Silence and Chibuku, not so much stagnate, but head towards a safer and more
mainstream booking schedule, consolidating that area at the top of the market,
whilst smaller nights, with more focused and loyal attendees form in their
ashes. It’s been this way for years, its just all much faster now. Take new
HAUS residents RELEASE, headed by student Callum Wilkinson, who veer towards
Liverpool debutants in an attempt to become flag bearers for the exciting and
new. Acts like Klose One and Paleman were both greeted warmly by a healthy
number on its opening couple of events, proving that there are rewards to be
reaped if you trust your audience’s knowledge. Other smaller, more genre
orientated nights are also appearing, like the aptly named Analogue only night
Analogue Bubbles, and the grime adhering GO!, founded by Chibuku and Abandon
Silence resident DJ Rich Furness. Techno committed upstarts Less Effect have perhaps
managed one of the best bookings of the year so far, landing Hessle’s Objekt to
unanimous approval for what is only their second ever show at the end of
February, suggesting that there are still cult followings to take advantage of
for those brave enough to put their faith in them.
Liverpool no longer has to rely on the same
couple of clubnights, which creates a competitiveness that means that we can be
demanding of our promoters. And with smaller, more versatile venues cropping up
over town, like the excellent Kitchen Street Pop up in the Baltic Triangle,
there is now a platform for promoters to book artists based on taste and not just
potential ticket sales, and more importantly, to be able to operate under more
modest expectations. Electronic music is one of the most competitive, the most
exciting and perhaps even the most discussed cultural movements in the city
right now. And if you spoke to anyone living here a few years ago, the fact
that we’ve got almost a weekly selection of clubnights not just for electronic
music, but for smaller sub-genres of electronic music, is a huge - and at one point
unthinkable - step forward, evident of a scene holding its own with any outside
of London.
http://www.peterguy.merseyblogs.co.uk/2014/01/join-the-club---the-growth-and.html
No comments:
Post a Comment